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The International

The International

The International

Mori Building introduces Tokyo to urban evolution
Mori Building introduces Tokyo to urban evolution
Jimin S. ('27)
It is undeniable that there will be another pandemic that will ravage humanity.
The unwanted sequel: predicting the next pandemic
Gyuri K. ('27)
Young carers manage extensive caregiving and housework while also handling their schoolwork and personal life.  Photo credit: Haruka. L (‘27)
Is there an end to a caregiving role for young carers? A life-long question for young carers in Japan
Minami O. ('27)

The sun rose as Miyoko woke her younger sisters up and quickly prepared to go to school. After school, Miyoko picked up her sisters from daycare and took them to a nearby park. Once they arrived home,...

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Young carers manage extensive caregiving and housework while also handling their schoolwork and personal life.  Photo credit: Haruka. L (‘27)
Is there an end to a caregiving role for young carers? A life-long question for young carers in Japan
Minami O. ('27)

The sun rose as Miyoko woke...

Mori Building introduces Tokyo to urban evolution
Mori Building introduces Tokyo to urban evolution
Jimin S. ('27)
What allows Tokyo to work so seamlessly for millions emerged through a history of intentional reinventions. The megacity's meticulous urban planning allows it to be dynamic, inclusive, and sustainable—a success that is far from accidental. Rather, it’s the result of a series of bold and innovative experimentation by Japan’s forward-thinking organizations, one of them being, Mori Building Co. 
There are a large variety of different types of bicycles used by over 100 million cyclists in Japan.
Cycling fines double in Japan with new laws
Jade W. ('27)
A large number of cyclists creates risks, so to prevent as many accidents as possible, strict laws are needed to make riding in the city safer.
Ms Bae prepares the MS/HS orchestra for the upcoming Christmas Concert. Image credit: Yuki K
From Seisen to the USA, and then to Sacred Heart: Jisoo Bae connects students through music
Linda L.('26) and Yuki K. (‘26)
A former graduate of Seisen International School, Ms. Bae has returned to KPASS—not as a student but as a music teacher. 
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It is undeniable that there will be another pandemic that will ravage humanity.
The unwanted sequel: predicting the next pandemic
Gyuri K. ('27)
Following the trends of previous pandemics and epidemics, outbreaks happen every 10 years.
Does it matter if motivations behind charity are incentive-driven?
Does it matter if motivations behind charity are incentive-driven?
Juho K. (‘26), Arts and Entertainment Editor
Some genuinely passionate students are involved in volunteering to create positive change, but most are in it for the incentives; whether that be for adding the experience to their college resume or building an altruistic reputation, it still doesn’t change the fact that they will have contributed to creating an educated, peaceful, and greener world. So, do the intentions behind volunteering matter?
“Israelism” poster. Image Credit: Tikkun Olam Films
‘Israelism’: Are young Jewish Americans taught to glorify Israel?
Aya N.('25)
“Israelism”—a documentary produced by filmmakers Erin Axelman and Sam Eilertsen, who are keen on bridging understanding—follows two young Jewish American individuals raised with an unshakable belief in Israel's righteousness. The film explores how they come to terms with the truths hidden from them and confront the complexities of a conflict they've only seen from one angle.
Should international students care about Project 2025?
Should international students care about Project 2025?
Eloise A. ('26)
Project 2025 will have global effects, but the question for students at the International School of the Sacred Heart is: How will Project 2025 affect the 1,057,188 international students enrolled in US universities in 2024?
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Sacrifice for Paraiso: The Cost of History
Sacrifice for Paraiso: The Cost of History
Haruka L. ('27)
Touken Ranbu is a popular Japanese video game that personifies traditional Japanese swords, spawning a wide range of media from anime to Kabuki. The inspired musical "Shizukano Umi no Paraiso" has successfully ignited a passionate interest in Japanese swords and history among adolescents: by masterfully capturing the brutality of war and employing vivid imagery and lyrical creativity in their songs, we are reminded to strive for peace like a snow-pure crane’s lullaby, crying for 37,000 souls, and a hideous part of history.
Image credit: @aubrey.club.house on Instagram
Aubrey House’s Acai Bowls: Tokyo’s Hidden Gem
Nami K. ('27)
In Tokyo, every moment in society is a constant rush and everyone has somewhere to be. Packed schedules result in meals which are cheap, however, lack wonder, creating a never-ending pattern of dissatisfaction. Break out of that cycle, and fresh, flavorful, and fruity acai bowls await. Beginning in the Amazon via Hawaii, a hidden charm, Aubrey House, sells its spectacular grab-and-go bowls. 
Frank Ocean’s 2016 album cover, “Blonde.” (Image credit: Blonded.co)
Frank Ocean’s last album, should stay his last
Konatsu K. ('27)
Through his exceptional lyricism and maverick production, Frank Ocean’s album “Blonde”, is the most dominant album of the 21st century, unraveling a completely new genre: a blend of R&B, pop, and indie. As curious as listeners are for Ocean to make another global impact on the music industry, it is important to offer thoughtful appreciation and recognition for this gem, before clamoring for additional releases.
Ethel Cain’s studio album, “Preacher's Daughter”. Image credit: Ethel Cain Youtube channel
Unveiling the southern gothic: how Ethel Cain’s “Preacher’s Daughter” transcends genre and personal narrative
Nonoka K. ('27)
“Preacher’s Daughter” is less an album, but more a horror film in 13 tracks. In Cain’s self-produced album, the protagonist takes the audience on a journey as a troubled teenager and preacher’s daughter in a southern town. Struggling with self identity, love, loss, and religious trauma, her haunting voice and enchanting melodies make a captivating debut.
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Japan
Azabudai Hills' greenery marks its presence in the busy city of Tokyo. (Image credit: @Dezeen on Youtube)
Azabudai Hills: Heatherwick’s futuristic vision of urban harmony
Jimin S. ('27)
British designer Heatherwick’s multi-billion dollar futuristic reimagining of offices, residences, parks, and plazas finally came to life after decades of diligent discussions and planning. This bold, futuristic development sets a new precedent for urban development, serving as both a natural retreat and a hyper-designed urban jewel in the midst of the busy city Tokyo.
Metalwork with engraved copper, gold, and silver plating by Yoshida Taiichiro
Playful encounters with Pokémon
Jade W. ('27)
Pokémon is a franchise that has animated movies, games, and other merchandise, such as trading cards. Kogei represents a diverse range of traditional Japanese crafts, from textiles to stonework and ceramics. Together, the Pokémon x Kogei exhibit showcases the immense craftsmanship of traditional ways through the imagery of Pokémon, appealing to all age groups.
There are a large variety of different types of bicycles used by over 100 million cyclists in Japan.
Cycling fines double in Japan with new laws
Jade W. ('27)
A large number of cyclists creates risks, so to prevent as many accidents as possible, strict laws are needed to make riding in the city safer.
More than three thousand people gathered in front of the gate of Camp Schwab in Nago, Okinawa to protest against building a new U.S. military base in Henoko.
Okinawans call for justice as delays and obstruction fuel public frustration
Yoshina O. (’25)
Women in Okinawa have been overlooked for decades. They are tired of hearing the same promises made by both the Japanese government and US military bases that they will ensure that something like this will never happen again. 
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Ms Bae prepares the MS/HS orchestra for the upcoming Christmas Concert. Image credit: Yuki K
From Seisen to the USA, and then to Sacred Heart: Jisoo Bae connects students through music
Linda L.('26) and Yuki K. (‘26)
Nurse Meaghan
Nurse Meaghan
Sarakshi S. (‘24), Editor of HOSH
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